The graph nags for you
A minimalist weight-and-habit tracker built so the graph does the nagging. His mom lost 17 lbs with it.
I build apps and businesses, write worlds, run games, and learn hard things in 30-day sprints — and I'm looking for talented, curious people to make the next ones with.
// RISO ISSUE №7 — twelve spreads, one over-committed human.
Turn a page: pick an entry, the poster folds, the next spread ink-prints in.
Apps · ~160 ideas · the one move underneath
Apps and businesses, shipped solo — and the one move underneath all of them: find the right thing to build, then build the honest version. The domains change; the method doesn't.
Flua is the lead. The fastest honest path to a new language: one expertly-ordered deck, real native audio, and spaced repetition that does the thinking for you. He taught himself Japanese to A1 in ~20 focused hours with the method, then spent a year building the app that strips out every ounce of the friction that makes people quit.
FLUA · the deck
FLUA · a card
A minimalist weight-and-habit tracker built so the graph does the nagging. His mom lost 17 lbs with it.
A focus / calm tool — the small, well-made kind of app he likes to ship.
A metronome that actually feels good; a tool to find the episode where a show finally gets good.
The domains change. The method doesn't.
— from the notes
Worlds since he was eleven
He's built worlds since he was 11 — a fantasy novel he faked his way into finishing and published at 14, a 150k-word dark epic in progress (The Swords of Darkness), a homebrew D&D world with its own playbook, and a manga he still wants to make.
The constant isn't the genre — it's the building. Invented places, invented languages, invented people who somehow have to behave. The early novel taught him a trick he still uses: fake the progress until the habit is real.
Because I had to fake progress, I accidentally built a real habit. It makes me wonder how many things we could actually finish if we just tricked ourselves into starting.
— on the teen novel
The Swords of Darkness
A whole world with its own playbook — maps drawn by hand.
Learn it fast, then teach it true
How he learns anything fast, and why he's building the courses he wishes someone had taught him — math, statistical and computational thinking, built for real understanding instead of the exam.
The throughline is the same loop the whole zine runs on: don't grind harder, find where the common advice is wrong, build the shortest honest path, and let sleep do the heavy lifting.
Being called smart my whole childhood made it part of my identity — and I was more afraid to lose that title than I was to fail a class.
— About Me
Built to understand
Pull out the insert · unfold the diagram
Pick a skill, go all-in for 30 days. Japanese to A1 in ~20 focused hours. Tone-deaf to singing from memory in a month. Badminton, YouTube, shipping. The trick isn't grinding harder.
Don't begin until you've found where the common advice is wrong. Research first; the wrong default is the whole opening.
Build the shortest honest path and run it hard for a month. One skill, full attention, a real feedback loop.
Sleep does the heavy lifting. You wake up better than you went to bed — and a month later it's a skill, then a product.
Everything is interconnected. Singing makes you a better speaker; games train you to perform under pressure. Each skill feeds the next. If you want to be truly unstoppable, learn everything.
— from the notes
Take it apart · find the fun · build it back
Take a system apart, find the fun, build it back better — a Balatro-inspired dice roguelike in design, a board game in progress, and D&D run as systems.
Running 100+ hours behind the screen taught him to treat a campaign like a designed system: the frameworks that make a world feel alive matter more than the dice or the lore.
Any time the best strategy isn't the most fun strategy is, I believe, a failure of the game's design.
— from my consumables essay
Hand-built map I
Hand-built map IIThe half he rebuilt on purpose
Singing, standup, improv, voice acting, speaking — the half of himself he rebuilt on purpose, charisma treated as a built skill.
None of it was a gift. It was a project: pick the skill, run the sprint, get from zero to a stage. The specialist with a B-minus in everything else decided the everything-else was learnable too.
I could not sing. I could not dress well. I was not particularly fit or especially charismatic. I was a very well-compensated specialist with a B-minus in everything else.
— how I became superhuman in 2 years
On stage, by choiceOne camera · a single 23mm prime · golden hour
Portraits, fits, and the cities I've lived in — Osaka, Tokyo, Kōyasan, Budapest, Lisbon, Nagpur. One camera, a single prime, natural light, graded by hand.
You can't study the color wheel for two hours and understand it. You have to train your eye over a long time.
— on color
Best · 01
Kōyasan
Tokyo
Osaka
Budapest
Lisbon
Nagpur
Best · 05
Kōyasan
Portrait
Tokyo
Him · YosemiteThe same engine, pointed at the body
The same engine he points at apps, pointed at his own body — and the sports (soccer, badminton, volleyball) that are how he makes friends in a new city.
The body is just another system to debug. Control before speed; intention before intensity. And the pitch is a social tool: drop into a new city, find a pickup game, leave with friends.
Prioritize control and intention over speed.
— his own soccer training notes
Reps as writingRead to build, not to collect
A reading life run like a syllabus — philosophy, history, business — all read through one lens: read to build, not to collect.
The library is an operating system: each book bought to be used, not shelved. The point of learning everything is that every skill feeds the next one.
Everything is interconnected. Singing makes you a better speaker; games train you to perform under pressure. Each skill feeds the next. If you want to be truly unstoppable, learn everything.
— from the notes
A syllabusFaint blue-line · not yet inked
The plates that aren't on the press yet — five of them, printed faint, in blue-line.
Thousands of hours of film and anime — only the best — watched mostly to take apart why they work.
The "next Death Note or Game of Thrones": a complex plot that's somehow easy to follow.
As a game you can actually live inside.
A third place for serious makers — writers, artists, builders, one room.
The talented, curious people he'd do all of the above with.
Not yet on the pressDistinct from the work — ideas, not portfolio
Five essays, set as the zine's back-page articles. Read the teaser; the whole piece is its own thing.
Not willpower — a method: find where the common advice is wrong, build a feedback loop, and let sleep do the heavy lifting.
At my financial peak I was lonelier than I'd ever been — so I quit, lost almost everything, and spent a year figuring out what a life is for.
After 100+ hours behind the screen, the magic isn't the dice or the lore — it's a handful of frameworks for a world that's already moving when players walk in.
I optimized for the grade at every school I attended, and it worked — which is exactly the problem.
I'd done everything right for six months and the scale wouldn't move — until I stopped treating it like willpower and started treating it like a bug.
Let's build something
I'm looking for people who are excellent at something and curious about everything.
Collaborators, co-conspirators, friends. If any of these worlds is also yours — or you just want to scheme — say hi. The best things in my life started as a five-hour first conversation with a stranger.
[email protected] →